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FACT 2020-2021 March 2, 2022 Featured Mar 4, 2022 THE INTROSPECTION OF BORDERS Mar 4, 2022 Mar 4, 2022 Mar 4, 2022 THE INTROSPECTION OF BORDERS HOW A PANDEMIC CAN CHANGE OUR EXPERIENCE OF BUILDINGS Mar 4, 2022 Mar 4, 2022
PORTO (CENTRO) CAMPUS March 2, 2022 Featured Mar 2, 2022 CONCEPT AND FORM: EDIFÍCIO DA FACULDADE DE LETRAS DA UNIVERSIDADE DO PORTO Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 FOLHA DE SALA Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 THE ANAMNESIS OF SPACE THE TIMELESSNESS OF THE HUMAN Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 ICBAS COMPLEX Mar 2, 2022 Mar 2, 2022
ASPRELA CAMPUS March 2, 2022 Featured Mar 2, 2022 POÉSIE LINÉAIRE: EXPLORATION DE L’OMBRE ET LA LUMIÈRE Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 THE ENGINEERING TONES: COMMUNITY, TRANSPARENCY, SYMMETRIES Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 UPTEC IN WAITING: BETWEEN REALITY AND VIRTUAL Mar 2, 2022 Mar 2, 2022 Mar 2, 2022 FUNDAMENTALS . EXPLORATION . PLASTICITY . FEP THE PENCIL THAT DRAWS THE INVISIBLE Mar 2, 2022 Mar 2, 2022
